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HOW THE TEAM FORMED

Although all the members of ‘N SYNC were born in different states of the USA it isn’t surprising that they met in Orlando. Each one had already decided on a career in Showbiz. JC and Justin were presenting the " Mickey Mouse Show " on the Disney Channel while Joey and Chris were working to know each  for Universal Studios. Chris and Justin

got other at an audition for a band and subsequently became friends. Nothing came of this casting but Chris couldn’t get the idea of  his starting own band out of his head. He convinced Justin, who in turn told JC about the plan. As JC and Joey had already been friends for years and Chris and Joey knew each other from Universal Studios, the path to Joey wasn’t difficult. Even after only the first rehearsal Justin, Chris, Joey and JC realized that their voices were almost perfectly in harmony and they were definitely on the right track. It was also clear to them that the technical performance of the dance routines had to be coordinated and perfect, and therefore, they practiced for hours in a dance studio. The band’s manager, Johnny Wright, was at this point already very interested in the boys, instinctively sensing that he was in the presence of four extremely talented boys, who were ready for huge success. Essentially everything was perfect, but nevertheless a small detail was missing. This detail was a bass voice.
Although a number of Talent Scouts spent weeks searching Orlando and its surroundings for a suitable bass voice, it was to no avail. Only after Justin had the bright idea of telephoning his singing teacher to ask him about suitable candidates, did they get Lance’s telephone number. Justin immediately grabbed the telephone and talked Lance into coming to Orlando for an audition. Lance came, sang and won. After the audition Justin, Chris, Joey and JC didn’t want to let Lance go. After some persuasion Lance decided to join ‘N SYNC. There was now no stopping the boys. After only a short time the multitalented five some had practiced the first songs along with the matching choreography and shown their manager exactly what they were capable of. They stormed into the Top 100 in record time with their debut single " I Want You Back " before quickly reaching the Top Ten.
No one was more amazed by the swiftness of their breakthrough than ‘N SYNC themselves. And, of course, now anyone who has seen 'N SYNC on stage will know why Justin's mother's choice of name was so appropriate ! ! !
The name 'N SYNC is found by Justine's mother. Originated from the term harmony of singing and dancing. It was then that they realize that the name can be arranged by putting their name in a row as this : JustiN, ChriS, JoeY, LansteN and J.C. This group emphasizing on song and dancing as their main attraction. It was recorded that J.C. and Justin taking dancing lesson from coreographer of the Prince and Michael Jackson. It was Justin and J.C. who shared their time and also vocal teacher though they did a solo performances. They were recorded to working together with Britney Spears for three years before they were famous. 
Fate soon brought Joshua and Justin back to Orlando, however, and, upon their return, they teamed up with Pittsburgh native Chris Kirkpatrick. After several time and several investigation by Chris, they start to hit the a cappella, just to realize that they need another bass singer, so Lance Bass was dragged in. From here than the success began.

THE JOURNEY OF THEIR CAREER

By late 1997, the quintet managed to land a contract with RCA Records. Enlisting the help of several high- profile producers — among them Kristian Lundin, who has worked with the Backstreet Boys, and the late Denniz Pop, whose clients included Robyn and Ace of Base — the newly christened 'N Sync created a batch of crisp, radio- friendly

pop songs and issued its debut album exclusively in Europe, a move that had worked to perfection for the aforementioned Backstreeters. Subsequently, the fives some headed overseas, where they were fervently embraced in Germany and the Netherlands. Returning home triumphantly in the spring of 1998, the burgeoning dance moister felt confident enough to unleash their self- titled debut on America. 'N Sync was slow in getting out of the gate in the United States, but by early fall, a Disney Channel special, heavy MTV exposure, and two Top 40 hits ("I Want You Back" and "Tearin' Up My Heart") had propelled the album to platinum sales. Publications such as Rolling Stone began playing up a competition between 'N Sync and the Backstreet Boys, and, indeed, in early August, the two groups began vying for position on the Top 10 charts. Moreover, in a true measure of 'N Sync's success, teeny- bopper magazines such as Tiger Beat and Girls' Life began shrieking out headlines proclaiming the group to be the Next Big Thing. In the fall of 1998, 'N Sync released Home for Christmas, a holiday album that crept up the charts rapidly and that featured the band's version of classics like "Chestnuts Roasting on an Open Fire" and "O Holy Night." As 1999 began, the boys were finishing their sold- out U.S. tour, planning a studio stint to record their next album, and watching sales of their eponymous debut skyrocket. In May, the group took a brief break to spend some time meeting and talking with students from Columbine High School in Littleton, Colo., following the tragic April 20 shooting incident there. All seemed to be going well for 'N Sync until July, when the group claimed that Louis J. Pearlman, the developer and financial backer of 'N Sync, and his label, Trans Continental Records, had failed to fulfill their contractual obligations to the group. The fives some declared that it was therefore no longer signed to RCA, Trans Continental Records' distributor and a subsidiary of BMG, and jumped ship to sign with Jive Records, the distributor of both the Backstreet Boys and Britney Spears. BMG Entertainment filed a $150 million lawsuit later that fall, seeking to ban the band from recording or performing under the 'N Sync moniker, among other things. A few weeks later, it was 'N Sync's turn to sic the lawyers on BMG and Pearlman, as the group counter sued for $25 million.

"Pearlman posed as an unselfish, loving father figure and took advantage of our trust," J.C. Chasez said in a statement, also calling Pearlman "unscrupulous" and "greedy," and accusing him of "hugging us and calling us 'family' [while] picking our pockets, robbing us of our future, and even endangering our